대표 이미지 및 저작권 정보(N2L)
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| 저작권자 | 국가유산진흥원 | ||
| 전자자원소장처 | 한국문화재재단 | ||
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본 저작물은 "공공누리" 제4유형:출처표시+상업적 이용금지+변경금지 조건에 따라 이용 할 수 있습니다.
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| 소스코드 | <iframe width="720px" height="480px" src="http://uci.k-heritage.tv/resolver/I801:1606003-019-V00007?t=3" frameborder="0" allowfullscreen></iframe> | ||
관련 파일 및 자원정보(N2R)
| 번호 | 파일명 | 파일크기 | 다운로드 |
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| 1 | [아리랑TV] The Grand Heritage_7편 시즌5_내가사랑한문화유산_영문_CHF_1280X1080.mp4 | 249.02 MB |
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콘텐츠 기본 정보(N2C)
| UCI | I801:1606003-019-V00007 | ||||||||||||||||||
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| 제목 | Jeong Seon and his paintings, which we love | ||||||||||||||||||
| 콘텐츠 유형 | 동영상 | 언어정보 | 영문 | ||||||||||||||||
| 생산자 정보 |
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| 관련 키워드 | Jeong Seon;Park Woong-hyeo;Inwang Jesaekdo;Gyeomjae;겸재;Pungaksan;Dokseoyeogado;Geumgangsan;Manggeumgang;Geumgangdae;Yi Hwang;Mongyudowondo;Gokungugokdo;정선;인왕제색도;Inwangjesaekdo;Soaknu Pavilion;Geumgangjeondo;해악전신첩 | ||||||||||||||||||
| 내용 | Gyeomjae Jeongseon was a scholar and artist in the late Joseon Dynasty who introduced real landscape paintings featuring rivers and mountains of Korea. There have been other artists who were more talented than Jeong Seon. But they didn’t draw the real essence of the scenery because they had to follow the spirit of the society at the time. By painting and showing real landscapes, Jeong Seon became a more creative artist. |
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| 대본 정보 | An artist who painted the nature of Korea in his unique style Jeong Seon and his paintings, which we love Park Woong-hyeon / Advertising agent An advertising agent, who often copywrites innovative and creative advertisements Time is concave. It wins against anything. It can make anything forgotten. I’m sure there are some people who remember the advertisements I’ve made but I can promise you that it is highly possible that they won’t remember in 10 years. I think classic works of art are those that have passed the test of time. And Jeong Seon’s paintings are in the rank of these classic works of art. Jeong Seon once said, “I look at the places that other people don’t and build a world there.” This is something that people who are in this line of work always aspire to do, and in that sense, he is our guiding star. Paving a New Road by Jeong Seon “Inwang Jesaekdo Scene of Inwangsan Mountain after Rain” “Gaeumgang Jeondo Complete View of Geumgangsan Mountain” Gangseo-gu, Seoul Gyeomjae Jeongseon Art Museum Gyeomjae Jeongseon Art Museum, a museum that opened in 2009 to commemorate Jeong Seon’s artistic achievements I’m a person who makes ads, so I pay close attention to things like the layout. I also look at where he wanted to put the focus on. This section, he deemphasized. He probably wanted to put the center here but there were other factors, when you look at the photograph. But he covered all that with cloud and mist. “Collected Paintings of Pungaksan Mountain” by Jeong Seon Treasure No. 1875 Source: National Museum of Korea This allowed this space to remain empty and people to focus right here. The layout of this work… I could see it right away, maybe because I’m in advertisement. Gyeomjae Jeong Seon (1676-1759) A scholar and artist in the late Joseon Dynasty who introduced real landscape paintings featuring rivers and mountains of Korea “Dokseoyeogado Self-Portrait in the Studio” from “Gyeonggyomyeongseungcheop Album of Scenic Spots in the Capital and Suburbs” Approx. 1741 Source: Kansong Art and Culture Foundation “Haeakjeonsincheop Album of Paintings of Geumgangsan Mountain” by Jeong Seon Treasure No. 1949 / Painted in 1747 late in life Painting of Geumgangsan Mountain that displays mature brush strokes Jeong Seon often utilized late in life Source: Kansong Art and Culture Foundation “Haeakjeonsincheop Album of Paintings of Geumgangsan Mountain” by Jeong Seon “Danballyeong Manggeumgang” Source: Kansong Art and Culture Foundation “Geumgangdae” A stone embankment in the shape of tall columns in Geumgangsan Mountain Source: Kansong Art and Culture Foundation “Gyesangjeonggeodo” Painting printed on the back of 1,000 KRW bill. A scene of seodang village school and its surroundings when Yi Hwang had been alive Source: Leeeum Samsung Museum of Art There have been other artists who were more talented than Jeong Seon. But they didn’t draw the real essence of the scenery because they had to follow the spirit of the society at the time. By painting and showing real landscape, Jeong Seon became a more creative artist. Influences of Chinese landscape paintings “Mongyudowondo Painting on the Dream of Strolling in a Peach Garden” - Ahn Gyeon A painting by Ahn Gyeon based on the description of a dream Prince Anpyeong had of frolicking in a peach garden Concept landscape paintings Paintings that depict imaginary or conceptual scenes of nature “Gokungugokdo” - Cho Se-geol A painting of Yongdamcheon River in Hwacheon Real landscape paintings Paintings that depict the scenery from an objective viewpoint for practical purposes The birth of real landscape painting This is a painting of a waterfall. I think he wanted to paint the grandeur of the fall. That must be why he drew this section longer. The flowing water accounts for the biggest part of this painting. I think the artist arranged the layout according to the emotions he felt in this picture. “Painting of Bakyeon Waterfall” - Jeong Seon I feel that when I look at paintings, the layout is what expresses the emotions the artist felt at the time. Many people feel that from the paintings and when they visit the actual place, it doesn’t touch you as much as the painting did. That is a big surprise. I‘ve seen many cases in which the paintings touched me more than the actual location that was the model. The fact that the painting depicting nature touches me more than the actual view of nature in that same location tells me that his interpretation, his feelings and his impressions are included in the paintings. Source: Gyeomjae Jeongseon Art Museum “Inwangjesaekdo Scene of Inwangsan Mountain after Rain” by Jeong Seon National Treasure No. 216 He boldly depicts the rocks of Inwangsan Mountain after the rain using bold touches. These details look so alive that sometimes I feel like the painting is really wet from the rain when I look at it. I’m not an art major so rather than the composition of the painting, the feeling that it exudes, the feeling of space that it makes you feel and the vivid reality that makes you feel like you can actually smell the scent of the forest are what I love the best about this painting. Shinmi year Yunwol month Hawan Year 1751 May leap month Last 10 days of the month From “Gyeonggyomyeongseungcheop Album of Scenic Spots in the Capital and Suburbs” by Jeong Seon Sihwasanggando paining that shows the relationship between poetry and painting Treasure No. 1950 Source: Kansong Art and Culture Foundation Soaknu Pavilion “Soak Huwon Waiting for the Moonrise at Soak Mountain” - Jeong Seon A painting depicting the wait for moonrise at Soaknu Pavilion Source: Kansong Art and Culture Foundation “Jonghaecheongjo Painting of Listening to the Tide at Jonghae” Source: Kansong Art and Culture Foundation I think he lived in an age that was quieter than our times and allowed people to focus more on their own worlds and converse with nature. People say that complicated networks of roads that enable people to go to Busan in one day are good, but I don’t understand why they think that. When you’re riding in a car, you can see nothing. I think the days when we could just walk and observe the world in that pace is much better. Are the times that we live in really happier? I don’t know. “Geumgangjeondo Complete View of Geumgangsan Mountain” by Jeong Seon National Treasure No. 217 Paintings of Naegeumgang, the inner Geumgang Mountain, drawn in 1734 Even those who have no empathy for history must learn what makes these paintings, that have survived for over 200 years, move people. They must feel at least a sense of curiosity. I think that is the power of the classic works of art. Paintings of Jeong Seon A stimulant for creativity - Park Woong-hyeon |
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